All posts tagged: art

What Are We Working For “At Eternity’s Gate”?

Ever since I was a young boy, I have wondered why people do the kinds of work they do. I sensed early on that the economic system was a labyrinthine trap devised to imprison people in work they hated but needed for survival. It seemed like common sense to a child when you simply looked and listened to the adults around you. Karl Marx wasn’t necessary for understanding the nature of alienated labor; hearing adults declaim “Thank God It’s Friday” spoke volumes.

The Cell Phone and the Virgin: A Montreal Odyssey

Edward Curtin And the sun pours down like honey on our lady of the harbor And she shows you where to look among the garbage and the flowers There are heroes in the seaweed, there are children in the morning They are leaning out for love and they will lean that way forever While Suzanne holds her mirror” Leonard Cohen, “Suzanne” Before this historical chasm, a mind like that of Adams felt itself helpless; he turned from the Virgin to the Dynamo as though he were a Branly coherer. On one side, at the Louvre and at Chartres, as he knew by the record of work actually done and still before his eyes, was the highest energy ever known to man, the creator of four-fifths of his noblest art, exercising vastly more attraction over the human mind than all the steam-engines and dynamos ever dreamed of; and yet this energy was unknown to the American mind. An American Virgin would never dare command; an American Venus would never dare exist.” Henry Adams, “The Dynamo and …

On Propaganda and Bias: An open-letter to the Royal Academy

Mr Christopher LeBrun, President Mr Charles Saumarez Smith, Secretary and Chief Executive Mr Tim Marlow, Director of Artistic Programmes Royal Academy of Arts, London 28 March 2017 Dear Sirs, I am writing to you to express my disappointment at the curatorial handling of the exhibition Revolution: Russian Art 1917-1932 currently on display at the RA. Whilst I am not an art historian or an expert in Russian art of the period, it is well known (and apparent just looking at the pieces on display at the RA) that the years covered by the exhibition represent a decisive and hugely fruitful moment in the development of Russian and European Modernism in which artists who came from a figurative tradition coexisted with avant-garde currents like the Russian Futurists or, later, the Constructivists, along with visionary figures like Kasimir Malevich, Wassily Kandinsky, El Lissitzky and others (whom you reference in the exhibition), besides, of course, developments in photography, theatre, dance, music and cinema. For this reason, I was incredibly excited to visit the RA exhibition, anticipating a serious, …